My photography takes the everyday and bends it into something unfamiliar – much like the way I approach painting. I’m not interested in capturing a “perfect” likeness; instead, I distort and reframe what’s in front of me to reveal the hidden rhythms, shapes, and tensions that often go unnoticed. The result sits somewhere between reality and abstraction, echoing the same creative instinct that drives my painting practice. Both mediums feed into each other, creating a dialogue where colour, form, and distortion become ways of seeing the world differently.